
Research
Wikipedia: The Sublime.
A review of the concept of the sublime from 18th Century British and German philosophy
(Kant and Schopenhauer) to the Romantic (Hugo) and the Post Romantic
and 20th Century (Lyotard)
http://en.wikipedia.org/wiki/Sublime_(philosophy)
Dionysis Longinus, William Smith. Dionysius Longinus on the Sublime.
Longinus writes that the sublime implies that man through emotions and language can
transcend the limits of the human condition. We gain a greater sense of freedom by
our sense of capacity to join in this greatness. “For, as if instinctively, our soul
is uplifted by the true sublime; it takes proud flight, and is filled with joy and
vaunting, as though it had itself produced what is has heard.”
(ref.)
Google Books
Edmund Burke. On Taste: On the Sublime and Beautiful;
Reflections on the French Revolution.
Burke takes from Longinus and differentiates between the sublime and the beautiful:
the sublime applies to the grand parts of nature, the beautiful is in the small parts.
He also associates the grotesque with the sublime. Fear robs the mind of reason and
therefore brings feelings of the sublime.
Google Books
Edmund Burke, Abraham Mills. A Philosophical Enquiry Into the
Origin of Our Ideas of the Sublime and Beautiful...
Google Books
Wikipedia: Immanual Kant.
Kant contends the sublime does not reside in nature, but in our minds.
"The mind feels itself set in motion in representation of the sublime in nature;
this movement, especially in it inception, may be compared with a vibration with
a rapidly alternating repulsion and attraction produced by one and the same Object.
The point of excess for the imagination is like an abyss in which it fears to
lose itself."
http://en.wikipedia.org/wiki/Immanuel_Kant#Aesthetic_philosophy
The Internet Encylopedia of Phiolsopy: Jean-François Lyotard.
Lyotard creates the concept of the differend, a thing which "may be the feeling of
'not being able to find the words.' Lyotard associates the identification of a differend
with the feeling of the sublime, the mixture of pleasure and pain which accompanies
the attempt to present the unpresentable. He privileges art as the realm which is best
able to provide testimony to differends through its sublime effects."
http://www.iep.utm.edu/l/Lyotard.htm
|